Friday, November 26, 2010

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Start the Course This course

Friday, December 3, 2010 at 18:30 will finally start the course tambourine Itri, at the Museum of banditry (First Appius Claudius 268). The course officially introduced Friday, November 19 by the teacher Valentina Ferraiuolo will take place with a weekly meeting and will address the study of techniques to teach to play: pizziche, jacks, and tammurriate tarantella.

also planned special stage with musicians of popular music to deepen and broaden their experience with Italian artists of experience already.

Friday, October 29, 2010

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special graphic techniques

special graphic techniques
(POPARTLAB)
teacher: Marina Bolmini

knowledge of contemporary art is still the responsibility of s
tereotipi and hearsay, but it would be important that we do not modernize both the art world (in Italy very exciting), but the perception and knowledge of the general public. POPARTLAB you can define a course of art "popular" dal punto di vista teorico e tecnico. Il primo aspetto, ovvero quello teorico, trova i suoi motivi ispiratori nell’avanguardia americana degli anni ’60: la pop art. Il termine “Pop Art”, abbreviazione di popular art, fu coniato nel 1955 da due studiosi inglesi, Lesile Fiedler e Reyner Banham, per designare l’universo dei mass-media, o meglio delle forme visive e musicali ad esso collegate: dal cartellone pubblicitario alla televisione,dal cinema alla musica leggera, dai rotocalchi ai fumetti, dalla moda alla confezione delle merci di consumo. Il variegato, e a suo modo immaginativo, linguaggio dei nuovi prodotti destinati alla massa aveva preso il posto delle immagini popolari di un tempo, legate all’artigianato and folk traditions, taking their level but remaining separate hierarchical art "cultured." In the early sixties the American critic Lawrence Alloway adopted the term "pop art" in another sense, as the theme of a new avant-garde movement whose manifestations, while maintaining the level "read" the art, operating a ' unusual exchange with the media. The artists of this movement is dedicated to the transcription of pictorial imagery offered by the universe of mass media, producing paintings inspired by comic books or other images of consumer and mutually reproduction techniques (screen printing, production multiples).
Worktop
On this basis, the work plan to use and manipulate images taken from everyday life or from the world media personnel, using photos, photocopies, magazine clippings and heterogeneous materials. Consequently, the course is open to everyone, even those without knowledge and basics of drawing and painting. Techniques and materials

From technical point of view of industrial printing methods will be converted into a purely traditional way, using the following techniques:
- Printing with solvent;
- monotype print with glass and paper;
- stencil printing .
The work of play will be integrated with the use painting, collage and assemblage, working with paper, cloth, plastic, veneer and whatever is deemed appropriate by the needs of creative students. These elements are readily available as waste by recycling, which would enable students to rethink the functionality and use of objects. Then the materials will be used primarily pastels, watercolor crayons, paints and recycled materials, paper and canvas media.
Goals
The course will be taught the uses of these techniques, supported by lectures on graphic design, visual perception and color theory. The main purpose is the development of work manually via the use of heterogeneous materials and the spirit of observation against the image, as well as giving free rein to the imagination of students. In addition, this research which starts from the art of the '60s want to bring students to contemporary art (dispelling the myth incomprehensibility), reflect the influence that the media world exercises on an exercise creativity and practice of criticism and experimentation.

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DRAWING AND PAINTING TRADITIONAL

DRAWING AND PAINTING TRADITIONAL
insegnante: Tiziana Scopano

Perché disegnare dal vero
La visione
LE TECNICHE DI DISEGNO:
- le proiezioni ortogonali e l’assonometria
- la prospettiva
IL CHIARO-SCURO:
- le ombre- i mezzi toni
- la luce
- i lumi
- i riflessi
IL TRATTO
LE OMBRE PORTATE - in assonometria e in prospettiva
TECNICHE di controllo e di riporto del disegno
TEMI:
- la natura morta
- il panneggio
- la figura
- il paesaggio
- temi proposti dai soci allievi
TECNICHE PITTORICHE
- L’acquerello
- L’olio - oltre le 20 ore di lezione -

Tuesday, October 26, 2010

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With the sponsorship of Itri, Department culture, and the axis. Cult.Terraurunca November 19, 2010 at 19:30 will be presented at the Museum of brigandage of the new Itri tambourine during 2010/2011. The course will be played by Valentina Ferraiuolo teacher who took the same courses in many Italian cities.
our countrymen This is considered among the best musicians of Italian frame drum (tambourine), is currently soloist of the popular Italian park auditorium in Rome, conducted by Ambrose Sparagna. He is also working with a major ethno-anthropological work in Paris for the study of sounds and traditional Italian songs, being summoned to testify the musical tradition of the land aurunca.
The course will be held every week in meetings lasting about two hours every Friday, in the evening. After completing this course, students will play one or two days of work experience with leading Italian composers of popular music.

It will thus contribute to the dissemination of our culture, to transmit our national traditions to new generations and include a resource, such as teacher Valentina Ferraiuolo, in the territory.

Wednesday, October 20, 2010

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tambourine frame drum - origins

The frame drum is a percussion musical instrument consisting of a single skin mounted on a ring small metal cymbals with or without the latter case is sometimes called "dumb". Technically, a frame drum (frame drum in English) is defined as a drum with a depth less than the diameter.
The origin of frame drums really gets lost in the mists of time: there is illustrative material that dates over 6000 years that represents men and women who play this type of instrument, especially during religious ceremonies or rituals. Formerly there were (and still exist today) cultures in which the task of playing the instrument was exclusively delegated to women. In ancient Mesopotamia, Ancient Egypt, in Ancient Greece was already widespread. The frame drum came to the present day and is especially important in popular music tradition (think of the tambourine and tammorra in Italy). It is estimated that the construction techniques (very simple) have changed very little (if not almost all) with the passage of millennia.

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Technical Executive

We can say that the techniques used vary from drum to drum, although obviously there are clear similarities. Most of the frame drum has two basic types of sound:
open sounds: DUM usually called, is produced by hitting the skin in the middle, making it vibrate freely
closed sounds: they are produced by striking the drum at the Central (but without leaving the skin vibrate, a rap, often given with an open hand that is left in contact with the skin to keep it from vibrating) or edge (often using his fingers, not the whole hand).
Although, as noted above, they often use their hands to play, there are frame drums, such as the Irish bodhran, which is played using a stick or other tool. Obviously
techniques enforcement may come to be very complex and require great dexterity and skill, such as the tambourine Italian or Egyptian riq

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musical tradition

In all cultures where it is present, the drum framework is closely linked to the popular music tradition. To give some examples: maybe you do not need to remember the tambourine in Italy in the tradition of Tammurriata and Tarantella in all its facets, in Spain (especially in Galicia), the pandeiro, pandeiro and the pandeireta are closely tied to songs and dances who effin with several Italian folk tradition, in Persia (now Iran), the Daf is the drum used by Sufi songs and dances (think of the famous Whirling Dervishes) in India Kanjiro is used as a means of supporting (but also solo) in the classical music of the south.
NGLI 70s, with the approach of the popular musical cultures of other countries in Western music (Especially jazz), the frame drums have begun to spread outside their country of origin. With extraordinary talent such as Glen Velez, this type of tool could find new music in unusual contexts.
is undeniable that the frame drum has, because of its apparent simplicity and charm that comes with it due to its remote origin, a great evocative power and versatility is difficult to compare with that of other instruments.

Saturday, October 2, 2010

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ASTROLAB

ASTROLAB
- biomorphic scenarios -

Marco Appicciafuoco
Daniela Faiani
William Lucidi

from September 29 to October 13, 2010



William Lucidi

Daniela Faiani


Marco Appicciafuoco

Thursday, September 30, 2010

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Rita Soccio

Rita Soccio
16 to 31 August 2010

What if at some point the brand advertising rose up to their own producers and began to mingle and live a life of its own?
Since this question is the game's artistic research Rita Soccio, in his works we see the life of its own brand and start to dream of a life that could lead them away from the slogan of every day.
Trademarks universe Rita Soccio, love, play and blend together, giving rise to new products, new packaging that play with irony connected with their work home. And here
check on supermarket shelves un'afrodisiaca herbal tea produced by the encounter of Mrs. nuts and macho sailor Mastrolindo, the product name says it all: "Love Tea." What
Rita Soccio is a smart way to make fun on consumerist obsessions of our time, trust that we have too often in the marks, the constraints that have on our purchases and our lives.
Dario Ciferri

Wednesday, August 4, 2010

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Andrzej Zart

In my shoes
2 to 15 August 2010

Andrzej Zart (Poznan, 1969) is essentially a conceptual artist. Influenced by the theories of Nicolas Bourriaud, according to which the art in the entirety of its implementation involves the participation of the public, based its research on the relationship between art and life, focusing on the relational dynamics between artist and audience. The show's title, In my shoes, is an Anglo-Saxon phrase translated as the Italian "put yourself in my shoes."

Andrzej calls an intervention directed to the viewer, wearing his shoes physically in the role of the artist to enter into an exchange of roles from spectator to creator. For this exhibition, Italian, given the linguistic meaning of the translation, also offers his clothes. As a kind of theatrical representation of the artist's shoes and clothes become costumes scene, abandoning the idea of \u200b\u200bproduction at the expense of the artistic object. Remains the only evidence of the happening photographs and video.

Passing a reading of cutting sociological / political play as Andrzej equivalent to also adopt the nationality, that is: Polish. Andrzej is considered a lucky man. Arts education received in Poland and the United Kingdom (St. Martin's College, London) has allowed him to become an accomplished artist and respected by society. But in today's Europe, where the resurgence of nationalism is a fact of life, the life of the immigrant is often hard, made up of poorly paid and insecure jobs, sometimes to the limits of slavery. This brings us back to the clichés used to describe ethnic groups. The Pole is identified as a window cleaner, carer or alcoholic addicted to illegal immigrant crime. But it is a bit more than a century when the Italians were leaving to seek their fortune abroad, and pizza / mafia / mandolin (or, at best, mangiaspaghetti) was the stereotype that was fastened her to our countrymen. Andrzej Zart, with his work on the exchange of identity, reminds us that it's just a matter of point of view, just change the perspective, the artist's eye is also used to this.



Saturday, July 31, 2010

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Friday, July 30, 2010

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Alessandro Carboni

Overlapping Discrete City Boundaries - Asia-Europe Project
August 5, 2010 - 21:00

meeting with the public Alessandro Carboni.
Through video, audio and feature articles presented by the artist practices and procedures in place since the beginning of the project ODB 2010 and currently visible in Guildford at:

"The Pitech" - via Italy 26, Guildford (Ch)
opening Saturday, August 7, 2010, 19:00
7 to 15 August 2010

By Chico Lucia Bacci and Garden.
Transition from cities in Southeast Asia to a remote village in Abruzzo can create dislocation and estrangement in the passenger-type of the twenty-first century. But it can also be used to suggest guidelines for an alternative method of working, to arrive, for example, a new treaty of geography, the identification of unusual and unexpected similarities, highlighting the tensions and frictions, which may emerge only by comparing the polar opposite of reality. This is the intention of the stage with Carboni Alessandro Abruzzese of his vast project discerns Overlapping Boundaries, conducted in early 2010, with residences and sponsorship European and Asian. The multidisciplinary artist
reside in the small town of Guildford (Ch) from 26 July to 15 August 2010, a research and be reflected here in several stages, including: actions in urban places and rural
, a direct meeting with the audience for the presentation labor, and two facilities in separate locations. Of Guildford and the surrounding area, the artist will trace its geography sentimental, almost Goethean and a review romantic psychogeography of Guy Debord, in a technological age. While the conditions will be those applicants practices in the Carboni - walk, observation, and installation of materials extracted from their territory, videos, photos, notes and other documentary material - the specific will of course be imponderable and dictated by the conditions and the responsiveness of the site. Carboni, in fact, interact directly with the people and ask them "gifts", so by investigating the practice of xenia, lost in big cities, but still present in small businesses.
The hospitality, the stranger, migration and depopulation of small communities, the re-positioning, forced or voluntary portions of the entire population due to natural or social (from earthquakes to drastic crisis in the world of work) and related issues that are, to varying degrees, affect some areas of Asia affected by the work of Carboni, and some Italian. The area of \u200b\u200bMiddle and High Vasto, where does Guildford is certainly one of them.

alessandrocarboni

overlappingdiscretecityboundaries

Monday, July 26, 2010

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Friday, July 23, 2010

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Start Up


Tiziana and Marina Bolmini Fucking
15 to 31 July 2010

80s - and Marina Tiziana are companions School Art Institute of Vasto. Their paths diverge after the exam.

90s - Marina graduated in painting at the Academy of Fine Arts in Bologna, Tiziana diploma in decoration at the Academy of Fine Arts of L'Aquila.

2010 - Navy and Tiziana are found and founded the cultural association with START Roberto Santoro.

Tuesday, July 20, 2010

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Monday, July 19, 2010

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Tuesday, July 13, 2010

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STAR (T) is born


START is a cultural association which aims to promote and enhance the art as a necessary part of a universal communication, rediscover and revalue assets Abruzzo and art, to develop activities in all artistic and cultural fields.
To this end, the association will work to:
- organize, promote and activate exhibitions, courses, conferences, meetings, debates in the arts and culture with particular attention to all matters relating to the visual arts, sculpture, painting and photography;
- working with educational institutions through projects, organization of courses, conferences, debates,
- protect, organize and promote artists, including ones from the world of youth;
- produce, publish and depth of artistic and cultural exhibits related and initiatives promoted by the mediante articoli, libri, cataloghi e supporti informatici;
- promuovere e divulgare l’arte attraverso corsi, concorsi, premi artistici;
- promuovere gemellaggi artistici con altre città;
- creare una collezione di opere al fine di tutelare e promuovere l’arte contemporanea;
- collaborare e cooperare con altre associazioni ed enti.